“Superhoney”
Video Treatment Excerpt
Shawn Maher – Sundog Films
…The video opens to a tight close up of an attractive black
woman’s mouth. She smirks then laughs, in sync with the
track’s opening, and we see that her large perfect teeth
are glowing cleanly into camera and that the rest of her mouth
is dyed a saturated purple. We are pulled and matrixed into
her mouth and deep into her body. We come to a large black velvet
curtain that opens up as we approach it. Two attractive women,
glowing with fluorescent paint, are playing patty cakes in ultra
slow motion and yet in time to the claps at the beginning of
the track – wet gleaming paint sprays out from their hands
with each contact.
The camera continues it's move towards the large velvet curtains
and as they open up we get a closer look at the scene beyond
them. We see Edwin and the rest of the band as they begin to
perform. They are all on a black glass surface that shines with
a slick sheen, reflecting light in all directions. The key light
is a large Xenon that shines on the band from behind rimming
each one of them and pulling them out from the background. We
crane in on Edwin with a majestic camera move that pulls us
in close as he sings to camera. We see him in a close-up that
will serve to lock Edwin’s face in the minds of the audience
and then we make use of our shutterless camera that will blur
the image on the screen in a unique and captivating manner...
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